Limit to: I IV V (1, 4, 5)
Limit to: I ii iii IV V vi (diatonic)
View All Progressions | Progressions to Add
Key Change: C D E F G A
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26. I–IV–♭VII–IV | | | - I–IV–♭VII–IV. | |
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33. Chromatic descending
5–6 sequence | | | - I–V–♭VII–IV | |
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36. I–V–vi–IV | | | Joyful - Most popular chord progression in Western popular music. There is an actual mathematical explanation as to why it’s such a pleasant progression. The quick summary is that these four chords are opposit | | (8 Songs with this Chord Progression) |
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42. 50s progression: I–vi–IV–V | | | - Also known as the 1950s progression because it was very popular in that decade, this chord progression is associated with the mainstream popularity of the doo-wop genre at the time. P | | (5 Songs with this Chord Progression) |
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37. I–♭VII–♭VI–♭VII | |
1 C I |
b7 Bb bVII | b6 Ab bVI | b7 Bb bVII |
| - I–♭VII–♭VI–♭VII | |
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53. Ragtime progression | | | - III7–VI7–II7–V7 | |
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59. IV△7–V7–iii7–vi | |
4 Fmaj7 IVmaj7 |
5 G7 V7 | 3 Em7 iii7 | 6 Am vi |
| - IV△7–V7–iii7–vi in C | |
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67. Circle progression | | | - vi–ii–V–I | |
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65. | | | - minor chord, this progression tends to sound darker and sadder than the other four progressions. Examples of songs that use this progression include the entirety of “Cheap Thrills” by Sia, the chorus | | (9 Songs with this Chord Progression) |
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77. Andalusian cadence | | | - iv–III–♭II–I | |
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74. | |
1 Cm i |
1 Cmaj7 Imaj7 | 1 Cm7 i7 | 5 G V |
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75. | |
1 Cm i |
1 Cmaj7 Imaj7 | 1 Cm7 i7 | 1 C6m i6 |
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