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17. ii–V–I progression | | | - ii–V–I | |
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18. ii–V–I with tritone substitution
(♭II7 instead of V7) | | | - ii–♭II–I | |
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19. ♭III+ as dominant
substitute | | | - ii–♭III+–I | |
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20. Backdoor progression
(front door is V7) | | | - ii–♭VII I | |
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21. V–IV–I turnaround | | | - V–IV–I | |
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22. ♭VII–V7 cadence | | | - ♭VII–V–I | |
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23. viio7/V–V–I(common in ragtime) | | | - viio7/V–V–I | |
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